“A vivid and integrated physical setting, capable of procing a sharp image, plays a social role as well. It can furnish the raw material for the symbols and collective memories of group communication. A striking landscape is the skeletin upon shich many primitive races erect their socially important myths. Common memories of the “home town” were often the first and easiest point of contact between lonely soldiers during the war.
A good environmental image gives its possessor an important sense of emotional security. He can stablish an harmonious relationship between himself and the outside world. This is the obverse of the fear that comes with disorientation; it means that the sweet sense of home is strongest when home is not only familiar but distinctive as well”.
“A beautiful city environment is an oddity, some would say an impossibility. Not one American city larger than a village is of consistently fine quality, although a few towns have some pleasant fragments. It is hardly surprising, then that most Americans have little idea of what it can mean to live in such an environment. They are clear enough about the ugliness of the world they live in, and they are quite vocal about the dirt, the smoke, the heat, and the congestion, the chaos and yet the monotomy of it. But they are hardly aware of the potential value of harmonious surroundings, a world which they may have briefly glimpsed only as as tourists or as escaped vacationers. They can have little sense of what a setting can mean in terms of daily delight, or as a continuous anchor for their lives, or as an extension of the meaningfulness and richness of the world”.